The Voices In My Head
A stunning number of people have asked me, lately, what type of music I am listening to these days. This isn't a question I really expected to have to answer much after about age 28. You know? I don't mind my pre-school aged daughter asking me what my favorite color is, but I don't expect people I encounter in my professional life to ask me what five albums I would take on a desert island. We are, after all... um... not 17. You'd think I had dyed my hair purple and started wearing leather to work... "So, you seem a little different lately... Are you taking drugs? (No.) Did you join a cult? (No.) Have you changed your music listening habits?"
No, not really, but I did get satellite radio a few months ago and I do dig the music channels. Tonight, I burned a CD for my wife with a sampler of some of the funky and cool music that makes the charts on some of the not-exactly-top-40 channels, such as Sirius 21 - Left of Center, in particular. I will now list the songs and artists on that CD, and will refer all inquiries about my current music listening habits, to this site (actually, there's not a chance on earth I'll ever refer any one in my real life, other than family and about three very good long-time friends, to this site). Readers are invited to preview works by these artists on services such as iTunes or Yahoo! Music, and may find that some of these are gems. I have no idea whether these folks get much airplay outside of Sirius.
(In some cases, you may want to look for the "Radio Edit" version if your service offers one. Asterisks noted in some cases.)
Bright Eyes ("First Day of My Life") -- Relatively gentle guitar and vocals. Guy has a cool voice. I like the lyrics.
Regina Spektor ("Better") -- Slow-ish, steady rock tempo with captivating, swinging/vaulting vocals.
Emiliana Torrini ("Sunny Road") -- Slow and mild guitar and vocal. Not sure why I like it. Something about her voice or the lyrics, I think.
* The Streets ("Dry Your Eyes") -- Mild rythym and vocals. The cascading (tangling?) lyrics are more spoken than sung, in a heavy British accent.
* Arctic Monkeys ("A Certain Romance") -- Much heavier rock tempo and energy than all of the foregoing. Heavy British accent. Fun and upbeat.
Ladytron ("Destroy Everything You Touch") -- Entertaining new techno/ dance pop.
The Knife ("Silent Shout") -- Ditto.
Snow Patrol ("Hands Open") -- Kinda fits back up there with Arctic Monkeys, but more along the lines of straightforward, solid contemporary rock, basically.
OK Go ("Get Over It") -- This is not as new as I believe most of the stuff above is. A little noisy and screamy, but I dig the lyrical mania of it.
New York Dolls ("Dancing On the Lip of a Volcano") -- I am still figuring these dudes out. This is, I think, a new incarnation of an old band. Can't decide whether I like the lead singer's voice or consider it a weak point. He's a mix of Warren Zevon and the lead singer of the Ramones, for a start at least.
Saving Jane ("Girl Next Door") -- The beginning sounds like Foo Fighters, but then, quickly, it's 100% not the Foo Fighters. I feel guilty about this one... it could be the theme song from any teen romance movie from the last 15 years. Oh well.
* Panic! At the Disco ("I Write Sins Not Tragedies") -- Fits in with something like The Killers "Mr. Brightside," but with more breaks in the music.
* Lily Allen ("Smile") -- Nice and lyrical with stark and stunningly "earthy" rivets when you least expect it. Definitely watch for a radio edited version if available or you'll get a full-on surprise in the first 10 seconds or so.
Natasha Bedingfield ("Unwritten") -- You've probably heard this one.
She Wants Revenge... Ominous sound with great vocals and "we're taking this very seriously" attitude. Sounds a lot like Interpol.
* Blue October ("Hate Me") -- Solid alt rock tone and tempo, with a rather unique rough vocal quality and style. Portions of the (lengthy) lyrics fall and build on themselves really well. "In a sick way I want to thank you for holding my head up late at night. While I was busy waging wars on myself you were trying to stop the fight."
Flashback: Kim Carnes ("Bette Davis Eyes")
Flashback: The Waterboys ("The Whole of the Moon")
Interpol ("Slow Hands") -- Somehow, to me, this is the best of the 80's and 90's, finally arriving today.
No, not really, but I did get satellite radio a few months ago and I do dig the music channels. Tonight, I burned a CD for my wife with a sampler of some of the funky and cool music that makes the charts on some of the not-exactly-top-40 channels, such as Sirius 21 - Left of Center, in particular. I will now list the songs and artists on that CD, and will refer all inquiries about my current music listening habits, to this site (actually, there's not a chance on earth I'll ever refer any one in my real life, other than family and about three very good long-time friends, to this site). Readers are invited to preview works by these artists on services such as iTunes or Yahoo! Music, and may find that some of these are gems. I have no idea whether these folks get much airplay outside of Sirius.
(In some cases, you may want to look for the "Radio Edit" version if your service offers one. Asterisks noted in some cases.)
Bright Eyes ("First Day of My Life") -- Relatively gentle guitar and vocals. Guy has a cool voice. I like the lyrics.
Regina Spektor ("Better") -- Slow-ish, steady rock tempo with captivating, swinging/vaulting vocals.
Emiliana Torrini ("Sunny Road") -- Slow and mild guitar and vocal. Not sure why I like it. Something about her voice or the lyrics, I think.
* The Streets ("Dry Your Eyes") -- Mild rythym and vocals. The cascading (tangling?) lyrics are more spoken than sung, in a heavy British accent.
* Arctic Monkeys ("A Certain Romance") -- Much heavier rock tempo and energy than all of the foregoing. Heavy British accent. Fun and upbeat.
Ladytron ("Destroy Everything You Touch") -- Entertaining new techno/ dance pop.
The Knife ("Silent Shout") -- Ditto.
Snow Patrol ("Hands Open") -- Kinda fits back up there with Arctic Monkeys, but more along the lines of straightforward, solid contemporary rock, basically.
OK Go ("Get Over It") -- This is not as new as I believe most of the stuff above is. A little noisy and screamy, but I dig the lyrical mania of it.
New York Dolls ("Dancing On the Lip of a Volcano") -- I am still figuring these dudes out. This is, I think, a new incarnation of an old band. Can't decide whether I like the lead singer's voice or consider it a weak point. He's a mix of Warren Zevon and the lead singer of the Ramones, for a start at least.
Saving Jane ("Girl Next Door") -- The beginning sounds like Foo Fighters, but then, quickly, it's 100% not the Foo Fighters. I feel guilty about this one... it could be the theme song from any teen romance movie from the last 15 years. Oh well.
* Panic! At the Disco ("I Write Sins Not Tragedies") -- Fits in with something like The Killers "Mr. Brightside," but with more breaks in the music.
* Lily Allen ("Smile") -- Nice and lyrical with stark and stunningly "earthy" rivets when you least expect it. Definitely watch for a radio edited version if available or you'll get a full-on surprise in the first 10 seconds or so.
Natasha Bedingfield ("Unwritten") -- You've probably heard this one.
She Wants Revenge... Ominous sound with great vocals and "we're taking this very seriously" attitude. Sounds a lot like Interpol.
* Blue October ("Hate Me") -- Solid alt rock tone and tempo, with a rather unique rough vocal quality and style. Portions of the (lengthy) lyrics fall and build on themselves really well. "In a sick way I want to thank you for holding my head up late at night. While I was busy waging wars on myself you were trying to stop the fight."
Flashback: Kim Carnes ("Bette Davis Eyes")
Flashback: The Waterboys ("The Whole of the Moon")
Interpol ("Slow Hands") -- Somehow, to me, this is the best of the 80's and 90's, finally arriving today.